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In China, Deepfakes of ‘Russian’ Women Point to ‘Nationalistic Sexism’

In China, Deepfakes of ‘Russian’ Women Point to ‘Nationalistic Sexism’
In China, Deepfakes of ‘Russian’ Women Point to ‘Nationalistic Sexism’


The woman declares, in Mandarin inflected with a slight accent, that Chinese men should marry “us Russian women.” In other videos on the Chinese short video platform Douyin, she describes how much she loves Chinese food, and hawks salt and soap from her country. “Russian people don’t trick Chinese people,” she promises.

But her lip movements don’t quite match the audio of the videos, which were posted recently to an account using the name “Ladina.” That is because it is footage of Shadé Zahrai, an Australian career strategist with more than 1.7 million TikTok followers, that has been modified using artificial intelligence. Someone dubbed Ms. Zahrai’s video clips with a voice speaking Mandarin Chinese to make it seem that she was peddling Russian products.

Welcome to a flourishing genre on Chinese social media: A.I.-manipulated videos that use young, purportedly Russian, women to rally support for China-Russia ties, stoke patriotic fervor or make money — and sometimes all three at once.

It is unclear who is behind many of the videos, but most eventually direct viewers to a product link, suggesting that the primary aim is commercial. And the main target audience seems to be nationalist Chinese men.

The videos are often labeled with hash tags such as “Russian wife” and “Russian beauty.” The women featured describe how accomplished Chinese men are, or plead to be rescued by them from poverty or their own less idyllic country.

Another set of videos feature a blond woman, describing her gratitude for having landed in China.

“I really envy my Chinese friends. You’re born with the world’s most precious identity and most profound and charming language,” she says in a video posted to another platform, Xiaohongshu, which is similar to Instagram.

A different video shows the woman thanking the Chinese people for supporting Russia through its economic difficulty by buying Russian chocolates from her. “In the past year, the entire world is boycotting Russia, imposing all kinds of restrictions and difficulties on us. China is like a savior,” she says.

These videos looked much more natural, with the woman’s lips synced to the fluent Mandarin. But they are fake, too. They were retooled from YouTube videos posted by Olga Loiek, a college student whose real videos are about self-improvement and her gap year in Germany.

Ms. Loiek doesn’t speak Chinese. And she would never praise Russia like that, she said in an interview. She is from Ukraine, and some of her relatives are still there.

The makers of these videos are trying to capitalize on a market born of China’s current moment in geopolitics, technology and public sentiment.

Relations between Russia and China have deepened significantly in recent years, with the countries’ leaders, Vladimir V. Putin and Xi Jinping, declaring a “no limits” partnership in the face of mounting hostility from the West. Mr. Putin visited Beijing last week, where Mr. Xi welcomed him with great fanfare.

The use of foreign faces to laud China also seeks to tap into a sense of national pride, or nationalism, among the Chinese audience. Nationalist content has become one of the surest drivers of internet traffic in China, in a censorship environment where more and more topics are off limits.

That nationalism — like nationalism around the world — has often included a strain of sexism, said Chenchen Zhang, a professor of international relations at Durham University in England.

“This representation of young white women in sexually objectified ways is a typical trope of gendered nationalism, or nationalistic sexism,” Professor Zhang wrote in an email. “Viewers can get both their nationalistic and masculine pride reaffirmed in consuming this content.”

In several of the videos featuring Ms. Zahrai’s manipulated likeness, the faked character calls her viewers “big brothers.” The persona also notes that Russia is not selling those products in Japan or South Korea, two countries with which China has fraught relations.

The Chinese government has often encouraged online nationalism, but there is no indication that it has anything to do with the deepfake videos (though some local governments have partnered with real Russian women to promote similar messages about China’s appeal). There is also a small economy of real Russian influencers, many of them young women, on Chinese social media.

Many of the video makers may simply be taking advantage of China’s embrace of shopping via livestreaming and short videos. As A.I. technology has become more advanced, some Chinese companies have already switched from real to virtual salespeople to save money.

Artificially generated videos are likely to become more and more common as a sales tactic, since A.I. technology has advanced so quickly and become so much more accessible to the general public, said Haibing Lu, a professor at Santa Clara University who studies A.I. governance.

Ms. Zahrai’s management company said in an email that the A.I. modifications were “poor quality,” and that they “would likely appear to be fake” even to casual viewers. Some of the account’s videos had only a few dozen views, though the one discussing marrying Russian women had 22,000.

It didn’t seem to matter. An automated counter that pops up in one of the account’s videos suggests that the brand of salt being pitched has already been bought 360,000 times across the platform.

When The New York Times reached out to the Douyin account with the videos of the manipulated Ms. Zahrai, the account holder confirmed in an audio message that he had made the videos. “You set up three things: audio, video and mouth. You can build any video you want,” he said, before unfriending a reporter.

The levels of sophistication vary. Some of the fake women appear entirely computer generated, move stiffly and look like glorified Sims. Some, like those featuring Ms. Loiek’s likeness, are very good.

“Even though I knew it wasn’t me, the realism was frightening,” said Ms. Loiek, who recently found out that more than 30 different social media accounts in China had co-opted her image. “When I decided to create my YouTube channel, I was aware of the dangers of deepfakes, but I believed it was primarily a concern for famous political and entertainment figures. Now I realize that anyone with video footage of themselves online can be affected.”

Ms. Loiek reported the accounts on Xiaohongshu and made a YouTube video about her experience. Eventually, most of the profiles using her likeness were shut down.

In recent weeks, the social media platforms have tightened scrutiny, removing A.I. videos or adding labels to some of them. China was the first country to enact regulations around generative A.I., and on paper, some of its policies are stricter than those in the West.

But countries worldwide are struggling with enforcing their rules. Detecting wrongdoing may be especially difficult in China, because of its closed internet environment, where many foreign social media outlets are banned.

Foreign influencers are unlikely to know their image has been used on Chinese social media and file a copyright complaint. And the Chinese platforms may not be drawing on overseas content, either, when checking for A.I. manipulation, said a 35-year-old man who ran two accounts featuring A.I.-generated Russian women. The man, who gave only his surname, Chen, said he earned about $1,000 a month from the accounts before he shut them down in March, fearing greater regulation.

But more are still proliferating. And Russia may be the hot topic now, but the practice will probably soon spread to whatever the next trend is, said Professor Lu at Santa Clara.

“The people behind this would manipulate any possible topic to attract people’s attention,” he said. “Show ‘how to go to top schools’ to parents; ‘how to become beautiful,’ to young ladies. I believe going forward, everyone will use A.I. technology to customize topics to make videos appealing to a certain audience.”

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