Chipperfield said new construction covering 20,000 square meters (215,000 square feet) was planned around the existing 19th century neoclassical building and would include new above- and below-ground exhibition areas, garden space and a new front entrance.
“Our architectural approach has been to create a plinth growing out of the existing building, therefore fundamentally connected to the 19th century building. But at the same time that develops into a powerful piece of architecture,” Chipperfield said during an event at the Athens museum late Wednesday.
“The challenge, of course, is to get those two things in balance.”
The National Archaeological Museum, Greece’s largest, has more than 11,000 exhibits spanning millennia. Its treasures include the 3,500-year-old gold funerary mask known as the Mask of Agamemnon and the Antikythera Mechanism, a device used to track the sun, moon and planets.
But most visitors to Athens favor the more centrally located Acropolis Museum, designed by the Swiss architect Bernard Tschumi and opened in 2009. It’s where Greece hopes to house the Parthenon sculptures, also known as the Elgin Marbles, that are currently in the British Museum in London.
The Acropolis Museum attracts some 2 million people per year, roughly four times the number that travel across the city to visit the National Archaeological Museum.
That’s something Greece’s Prime Minister Kyriakos Mitsotakis hopes will change with the renovation.
“More display space will be created for the great exhibits from one of the most important collections in the world. Today we display less than 10% of what we have in our warehouses,” Mitsotakis said at Wednesday’s event.
“It has always troubled me that just over 500,000 visitors come to the museum every year when it hosts such an incredible wealth of world cultural heritage,” he said.
Chipperfield will work on the Athens project with the Greek architect Alexandros Tombazis, Wirtz International Landscape Architects of Belgium and German architect and structural engineer Werner Sobek.
