In 2020, an attorney contacted the FBI Art Crime Team on behalf of an anonymous client who was in possession of an enormous “mosaic of the mythological figure Medusa,” the FBI said.
The mosaic had been cut into 16 pieces, each weighing between 75 to 200 pounds, and had been individually stored in pallets kept inside a Los Angeles storage unit since the 1980s, according to the FBI.
“The client had no documentation — known in the art world as provenance — so they could not sell the pieces,” the FBI wrote. “Selling art without provenance is the equivalent of trying to sell a car when you don’t have its title.”
It is unclear how the anonymous client came into possession of the artwork, or how long it had been in the US, although the FBI says, “it may have been lost for as long as 100 years.”
Two special agents — Elizabeth Rivas and Allen Grove — worked to discover the origin of the mosaic so that it could be returned to its rightful owners.
Italian police force confirmed the mosaic was Italian and had “been entered into cultural property records in 1909,” the FBI said. “The only modern record of the mosaic’s existence was a 1959 newspaper ad that appeared to show it for sale in the Los Angeles area.”
“The mosaic was handcrafted from an age where people put an amazing amount of care and effort into it. It really speaks to the ingenuity and creativity of the time,” Grove said. “It’s not meant to be in Los Angeles. The mosaic belongs to the people of Rome. It allows us to understand a bit about the history of humans 2,000 years ago.”
Officials from Italy traveled to Los Angeles to inspect the mosaic and help plan the best way to get it back to Rome.
To ensure the artifact arrived in Italy without damage, the anonymous client covered the costs of the specialized shipping crates that were then sent through diplomatic channels. The artwork arrived safely in April, the FBI confirmed.
Art experts in Italy are currently in the process of cleaning and restoring the mosaic. While some of the storing pallets had been infested with termites, the artwork pieces were “largely intact thanks to the climate-controlled facility they’d been kept in,” the FBI said.
There is an ongoing effort in the US to repatriate cultural artifacts being sold, often illegally, to private collectors or museums.
In 2021, the Met returned three African art objects, including a pair of 16th-century Benin brass plaques, to Nigeria. The move came after European museums started facing mounting pressure to return the irreplaceable artifacts plundered during colonial times.
